
Linoleum print by Jennifer Oakes
My Body’s Last Hope
Amalie Landry
Today I taped spoons to my body
a last hope and last effort
to save my broken body.
I wasn’t meant for life
or at least the flesh I call my home wasn’t
as if I am an alien trapped inside a host of another being.
The tape had jagged edges
the spoons cold
their metal accustomed to a different environment than my skin
the adhesive held on for dear life.
I thought that if they were attached to me they would work
spoons of energy.
It had always been a metaphor, but I wanted it to work
needed it to work.
Fetal position
on the floor
rocking back and forth
I was my own rocking chair, ocean waves
but not beautiful.
my skin in shreds
my tissue bruised
I bled out of every orifice
my bones became jelly
tears poured uncontrollably out of my eyes,
leaving red spotty hives.
The metal was heavy
it tugged on the tape which pulled at my skin
but it never left my body
it was like it wanted to stay,
needed to stay.
Sometimes I like the quiet
it allows me to remember that I am in pain
that I’m not making it all up
that it isn’t just in my head.
I’ve been taught to ignore it
spent years mastering my own deception
learned to ignore my body’s dying pleas.
it doesn’t let me forget though
it sends me small reminders that it is broken
and my days are limited.
That is what I hoped the spoons would fix
I hoped they could give my body what it needed to fix itself.
The utensil shaped silver metal and overly adhesive tape didn’t work though.
It left me with angry spots and wrinkled skin,
not a new body,
or a cure for the one I live in.
Jennifer Oakes
Biography: Jennifer Oakes is a PNW based artist. Working in painting, printmaking, ceramics, sculpture, and welding. Attending her fourth year at Oregon State University studying for a Bachelor of Fine Arts.
Amalie Landry
Biography: Amalie Landry grew up immersed in the art world and had made her first paintings before she could walk. With both of her parents having attended art school and instilling in her a spirit of curiosity and creativity, art has always been a calling for her. She grew up in the forested and beautiful areas of the Pacific Northwest, which inspires much of her work, as well as her life experiences with chronic illness, love for the sciences, and genuine fascination with her surroundings. Over the years, she has tried many different art forms and currently practices watercolor, writing poetry, and embroidery the most often. She is presently studying Biochemistry at Oregon State University with the hope of working in the medical field in the future.
Artist Statement: In the poem My Body’s Last Hope, a raw, physical exploration of chronic illness and the effort to maintain a functional life unfolds. It literalizes the “spoon theory,” transforming a metaphor for limited energy into a tangible act: taping metal spoons to a failing body. The imagery highlights the isolating nature of pain, the search for validation, and the deep longing for a cure. It examines the painful disconnect between the self and the “broken” flesh, illustrating the burden of a body that constantly sends “dying pleas.”